TheSearchforalostfilmfromthe70stakesayoungmanfromoneofSouthAmerica'slargestindigenouscommunitiesonanexistentialjourneyinapost-colonialfilmabouttherighttoone'sownimage. Inthe1970s,Oscar-winningFrenchdocumentaryfilmmakerPierre-DominiqueGaisseaumovedwithhisfamilytoPanamatomakeafilmabouttheKunacommunity,oneofSouthAmerica’slargestindigenouspeoples.Hepromisedthemthattheywouldseeit,butforvariousreasons,productionstalledandthefilm(withtheworkingtitle‘GodisaWoman’)wasnevercompleted.Butwhathappene
TheSearchforalostfilmfromthe70stakesayoungmanfromoneofSouthAmerica'slargestindigenouscommunitiesonanexistentialjourneyinapost-colonialfilmabouttherighttoone'sownimage. Inthe1970s,Oscar-winningFrenchdocumentaryfilmmakerPierre-DominiqueGaisseaumovedwithhisfamilytoPanamatomakeafilmabouttheKunacommunity,oneofSouthAmerica’slargestindigenouspeoples.Hepromisedthemthattheywouldseeit,butforvariousreasons,productionstalledandthefilm(withtheworkingtitle‘GodisaWoman’)wasnevercompleted.Butwhathappenedtotheunfinishedfilmreels?That’swhatyoungArysteidesTurpana,onthemandateoftheKunaelders,setsouttofindout.HisjourneytakeshimtoFrance,butgainingaccesstothedustyfilmreelsisnoteasy.FollowinginhisfootstepsisSwiss-PanamaniandirectorAndrésPeyrot,whohascreatedoneoftheyear’sbiggestfestivalsuccessessinceitspremiereattheVeniceFilmFestival.Afilmthatmanagestoturnabstractquestionsabouttherighttoownone’sownimageandnarrativeintoarelevantandexistentialnecessity.
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